In a season filled with fantastic shows (forgive the pun), the Mac-Haydn Theatre closes out with an enchanting and heartwarming production of “The Fantasticks.”
Originally penned by Tom Jones and Harvey Schmidt, “The Fantasticks” holds the distinction of being the world’s longest-running musical, and it’s easy to see why. In fact, when the MacHaydn was founded in 1969 (!) this was its second show to go up. With its simple yet profound story, memorable songs, and an allegorical charm that transcends generations, “The Fantasticks” is a timeless classic. The Mac-Haydn’s rendition brings these elements together in a joyful and uplifting performance that is sure to delight audiences of all ages.
For a show like “The Fantasticks,” which thrives on intimacy, the Mac-Haydn proves to be an ideal venue. The proximity between the performers and the audience heightens the emotional connection to the story, drawing the audience into the whimsical world of Matt and Luisa, the young lovers at the heart of the tale.
Photo by Ann Kielbasa
At the core of “The Fantasticks” is a simple but delightful story: two neighboring fathers, who feign a feud to trick their children into falling in love, only to discover that life is much more complicated than their contrived romance. The show beautifully explores themes of innocence, disillusionment, and the inevitable pain that accompanies growth and love. It’s a story that, despite its fantastical elements, feels deeply relatable, and the Mac-Haydn production successfully captures the heart of the show.
A standout aspect of the Mac-Haydn Theatre’s production is the cast, who deliver performances with energy, nuance, and undeniable charisma. Tristan Caldwell plays the seductive and manipulative El Gallo, our narrator and orchestrator of the lovers’ journey. Played with suave magnetism, Caldwell brings a mix of mystery and wit, making the audience both wary of and enchanted by his presence. His delivery of the iconic number “Try to Remember” is particularly moving, setting the nostalgic tone for the entire performance.
Photo by Ann Kielbasa
Photo by Ann Kielbasa
Matt (Conor Fallon) and Luisa (Belle Babcock), the young lovers, are equally captivating. Their performances are filled with youthful exuberance and the type of sincerity that can only exist in teenage romance. Luisa’s wide-eyed innocence and dreams of adventure are played with an infectious charm, while Matt’s earnestness and eventual disillusionment are portrayed with depth and vulnerability.
The two fathers, who are the comedic heart of the show, provide much of the production’s levity. I would argue that Columbia County could support a show just about two men singing about how much they love their gardens, if those two men were portrayed by Gabe Belyeu and Jeffrey Konowitch.
Their playful banter and slapstick antics are a delight to watch, and their mischievous plotting is delivered with a wink and a nod, inviting the audience to enjoy the absurdity of their plan. Yet, beneath the humor, both actors skillfully reveal the deeper love and concern they have for their children, adding a layer of emotional resonance to their performances.
Special mention must be made of the comedic duo who play the older actor and his assistant (who specializes only in dying on-stage), hired to conduct the lovers’ abduction. Kevin Weldon and Mikel Hunter, respectively, offer over-the-top antics and melodramatic flair, bringing plenty of laughter, providing some of the show’s most memorable comedic moments.
The Mutes were similarly delightful and a joy to watch, portrayed by Emily Allen and Anthony Michael Velez (who, having seen him in “Chorus Line” and “Rent,” have made me his number one fan).
A special treat for long-time patrons of the Mac-Haydn was the on-stage musical accompaniment by Eric Shorey on piano and Kathryn Sloat on harp, providing an immersive and whimsical air to every moment on stage. Both are truly exceptional talents.
Lighting plays an integral role in setting the mood throughout the show; a special shout out to Andrew Gmoser who orchestrated not only that feat but also handled set design. Soft, warm hues during the opening numbers evoke a sense of nostalgia, while cooler tones underscore the more somber moments of disillusionment and heartbreak. The clever use of lighting to highlight the passage of time and seasons adds a layer of depth to the production, enhancing its visual storytelling without overwhelming the audience.
What truly makes “The Fantasticks” at the Mac-Haydn Theatre such a memorable experience is the way it honors the timeless themes at the heart of the show. At its core, “The Fantasticks” is a story about love—its innocence, its trials, and its transformative power. The Mac-Haydn production never loses sight of this, and it’s clear that the cast and creative team approached the show with a deep understanding of its emotional depth. The audience is taken on a journey that celebrates the beauty of young love, while also acknowledging the pain and growth that come with experience.
For those seeking a musical experience that is both intimate and a fun romp, “The Fantasticks” is not to be missed. This production captures the magic of a beloved classic while bringing fresh energy and heart to the stage. With its talented cast, thoughtful direction by John Saunders, and beautiful design, this rendition of “The Fantasticks” reminds us why the show has endured for over half a century. Whether you’re seeing it for the first time or revisiting an old favorite, the Mac-Haydn Theatre’s “The Fantasticks” is sure to leave you laughing, moved, and humming along.
The tone of nostalgia has stayed with me, as this show is the final one of the year. I would be hard-pressed to think of a better sign of the turning of the seasons than when the proverbial curtain comes down on September 15th and we theater lovers have to wait many a long month for the Mac-Haydn to return. On behalf of all two of us theater critics at Trixie’s List, we will miss you dear Mac-Haydn and count the days until you return.
For ticket information, please visit the Mac-Haydn Theatre’s website.
– Lodro Rinzler is the author of a handful of books on meditation including “The Buddha Walks into a Bar” and “Take Back Your Mind.” He lives in Kinderhook with his wife and one year-old daughter.
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